Voice Over Training in New York, Los Angeles — and across the USA!

The Virtual Studio

“The Virtual Studio” uses the latest technologies so that Charles Michel can record you electronically from your home via phone anywhere in the U.S.A. Then the recordings, sometimes an hour or more long in length, are easily and immediately transmitted back to your computer so that you can listen and learn from the recorded results. The recordings include all of your performances and all of Charles Michel’s coaching and tips.

Note: Today’s VO artist needs to be an independent, self sufficient performer who can produce professional results at home using their own computer ! Working in The “Virtual Studio” helps you prepare for the industry’s new realities (0PP0RTUNITIES!)

MEET CHARLES MICHEL

In addition to training the voices of hundreds of people, Charles Michel has been an actor, singer, character voice performer and voice-over announcer.
Read more about Charles

TESTIMONIALS

Kate Guyton

In my work with Charles both as an actress and voice-over artist, I have found Charles to be an extraordinary instructor. His abilities are extremely competitive—without equal in our industry—he is at the very top of his field.

Read more testimonials and HEAR our students work!

THE WINNING VOICE
TIP OF THE WEEK

Get a feel for it!

Week of Mar 8, 2010

Getting a feel for projecting “UP AND IN”.
( “UP AND IN”… A fundamental approach to vocal work on a microphone…. Is one of many techniques specifically developed and coined by Charles Michel for Voice Over Training.)

How do you learn to project your voice “UP AND IN”?

Start by breathing deeply and moving gently. As you continue to move, bring your hands toward yourself as if you were scooping water and splashing it on yourself. Lean backwards just a bit and wiggle slightly as if you were sliding under a limbo stick. While your physical focus moves backward, begin to speak…Almost inhaling the sound.

Concentrate on projecting your voice “UP AND IN” to your body. Imagine that the sound is escaping out of the back of your head, instead of in front of you. Practice this until the approach makes it’s way into your “muscle memory” and becomes a natural and automatic part of your voice and your microphone technique.

Read more weekly tips

FEATURED LESSON